At this point, I have to step out of the review and encourage readers to turn to the stunningly beautiful essay in the New York Times this past
week by a real life writer (Amy Krouse Rosenthal) diagnosed with ovarian cancer: “You May Want to Marry My Husband.” Its most memorable line? “No wonder the word cancer and cancel
look so similar.”
In THE MOTHER’S PROMISE other characters (nurse Kate,
social worker Sonja) appear and begin to provide a much needed support network. Yet, these
women were struggling in their personal relationships and this is where the
book with its emphasis on marital conflict and potential spousal abuse became
less appealing. It felt strange that the men were portrayed so negatively – as if
they had no empathy or concerns beyond their own needs. Maybe that is the kind
of partner that these caregivers attract (or are attracted to)? I know nurses and social workers and I truly
appreciated the effort to paint them as real people with their own lives and
issues beyond the hospital, but that took away from Alice and Zoe’s difficult choices.
Perhaps
Hepworth's writing (the four characters share narration) would work for adult book groups where participants
would have more life experience and be interested in discussing motherhood and a mother's love? “Readers should get ready for a good, ugly cry,”
said Booklist where THE MOTHER’S PROMISE received a starred
review.