
Immigration has been a hot topic lately, both in the news
and with new literature. Here are several related titles:
THE HOUSE OF BROKEN ANGELS by Luis
Alberto Urrea (Pulitzer Prize nominated author) is a work of fiction based
loosely on events experienced by Urrea’s own family. The novel is set in San
Diego and starts slowly, but has some fabulous reviews and could probably work
for Junior Theme with a determined student. The main character, Big Angel, is
dying and his family throws a huge birthday party on the same weekend that they
bury his mother. There is quite a bit of introspection on what it means to be
an immigrant – “we are Mexi-cans, not Mexi-can’ts” – and on intergenerational
relationships. Wife Perla as well as children Minnie, Lalo, and Yndio feature
in this family story filled with complex expectations and connections. One day, speaking as a Mexican father, Big Angel says, "All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death."
THE
HOUSE OF BROKEN ANGELS received a starred review from
Kirkus
and
Publishers Weekly. Our copy will soon be available.

STRANGER by
Jorge Ramos, non-fiction and subtitled “The Challenge of a Latino Immigrant in
the Trump Era,” makes it readily obvious where the author stands despite having
lived in the United States for more than 35 years. An Emmy-award winning
journalist, Ramos points out, “Almost all of us here are either immigrants or
the descendants of foreigners, and that has always helped us to cross borders
and exceed the limits of what we thought was possible.” This work draws on statistics and points out
inconsistencies in policy (asking how the deportation of 11 million people
would actually work and noting that building an expensive wall does not begin
to address the 40 percent of undocumented people who either come by plane or
overstay their visas). Ramos also provides
firsthand accounts of his encounters with Trump during press conferences and
describes his own profession, saying “a journalist’s primary social function is
to question those in power.” Ramos explains that he views himself as a public
servant and that he agrees with the principle of objectivity in journalism, but
argues that does not mean that a journalist should always remain neutral since
neutrality sometimes runs counter to the truth itself, quoting Elie Wiesel, “Neutrality
helps the oppressor, never the victim.” STRANGER is also
available en Espanol: Stranger: el desafio de un inmigrante latino an la era
de Trump and was recommended for teens by Booklist due to “Ramos’
direct and personal style, clear approach to urgent issues, and reflections on
his youth.”
Turning again to new fiction, AMERICA IS NOT THE HEART
by Elaine Castillo is a debut novel that received starred reviews from Kirkus
and Publishers Weekly. However, I found a sadness mired here, too,
and I am honestly not sure that it will hold our students’ interest due in part
to the several languages and unusual tenses employed. Castillo begins the story
in the Philippines and describes life for a young girl and eventual nurse trainee
named Pacita/Paz, writing in second tense (e.g., “You think about ignoring him,
… You should ignore him, … You don’t know yet ….”). . Next, the American Dream
is explored as Castillo shifts the story to California when former political prisoner
Hero arrives to stay with her uncle Pol, his now wife Paz and their young daughter,
Roni.
Perhaps try this challenging, new
title with adult book groups; it offers potential for discussion and interpretation,
plus perceptive observations: “Baggage means no matter how far you go, no
matter how many times you immigrate, there are countries in you you’ll never
leave.”