SONG OF A
CAPTIVE BIRD by Jasmin Darznik received starred reviews from Booklist
and Library Journal. This debut novel definitely deserves attention and
it will entertain, shock, and inform readers about the history of Iran and
about the life of controversial poet Forugh Farrokhzad. Darznik herself was
born in Tehran and uses Farrokhzad’s writings, films and interviews to illustrate her
feminist spirit in this fictionalized account.Farrokhzad’s loneliness and rebellious nature in the face of an oppressive society
are evident throughout the book:“‘Besooz
o bezaaz’ went the timeworn injunction to brides.Burn inwardly and accommodate.If I told anyone my troubles, I would have
been met with exactly this phrase.” Ultimately, Farrokhzad’s story is both sad and
hopeful:
A day will come when your eyes
will smart at this painful song.
You’ll search for me in my words
And tell yourself: my mother,
That’s who she was.
-from
“A Poem for You”
(Dedicated to my
son, Kamyar, with hopes for the future)
Although Farrokhzad died young (just 32) in a car accident
in 1967, her writing lives on and was banned in Iran for at least 10 years after the
1979 Revolution. SONG OF A CAPTIVE BIRD could be a very
interesting book group title (publisher’s reading guide), especially given its feminist theme and many connections to
other cultures and works like the poetry of Sylvia Plath and the current day Landays of Afghanistan.
If you are still reeling from the twists and turns in Wein’s
award-winning Code Name Verity, look for Rose under Fire, a companion
novel. We meet Rose Justice, an American teenager and volunteer civilian pilot
during WWII who is captured over France by the Nazis and ultimately sent to
Ravensbruck, a women's concentration camp.
Told through journal entries which describe appalling
conditions, this novel is darker and yet even better in some ways than Code Name
Verity. Once again, Elizabeth Wein has aptly crafted a story of WWII – with
flashbacks and foreshadowing. No incident that Wein shares with us is wasted … fuses
and hands… aerial ramming… the technical
descriptions and images fill your mind.
Wein’s books do take patience and slowly build to a place
where the reader truly empathizes with the characters. It was difficult to
think about the day to day sacrifice and hardship associated with the camps…
perhaps that is why the writer carefully provides such detailed descriptions –
truly pulling her readers into the place and time period.
I was struck not only by the power of this story but by the
many connections it raised, especially to poetry and art. I liked the reference to the embroidery, the
paper airplanes and other efforts the prisoners made to find beauty in their
circumstances … they made me think of similar efforts by other groups of prisoners (for example, see
Art of Gaman about Japanese Internment at that same time period or the Return
with Honor exhibit of works by Vietnam-era POWs at National Museum of the U.S.
Air Force). And Rose’s poetry and “counting-out
rhymes” connected for me with the modern day Landays
shared by women in Afghanistan. If you
want to develop this connection with your students, more information on that is
available through Poetrymagazine or the Poetry
Foundation.
Yes, Rose Under Fire is dark and heavy in telling of
the “Rabbits,” Polish political prisoners who were victims of medical
experiments. Yet, Wein wants Rose and us
to soar, to TELL THE WORLD, much like Rabbi Joachim Prinz did
50 years ago at the March on Washington when he said, “the most tragic problem
is silence.”