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THE TEN THOUSAND DOORS OF JANUARY by Alix E. Harrow is a new book with an absolutely beautiful
cover and an absolutely beautiful beginning. Harrow is a talented writer, describing a doorway as “a dividing point
between here and there, us and them, mundane and magical” and commenting on the
word Door: “There, look how tall and proud the word stands on the page now, the
belly of the D like a black archway leading into white nothing.” She tells two parallel
stories – one about Ade, a young girl living in the late 1800s, who meets a
ghost boy from another world and then spends years looking for him, and another
story about January Scaller, a troubled mixed-race child with a dog named Bad
who is betrayed by her guardian, Mr. Locke. Both stories are imaginative and
pull in the reader; I just did not like flipping between them. In addition, I thought that the pace of this
debut novel really slowed and therefore found it difficult to stay interested
at times, despite the wonderful writing and unique blend of historical fiction
and fantasy. Booklist recommends THE
TEN THOUSAND DOORS OF JANUARY for teens, saying “Young adult readers
will relate to January as she grows into herself and discovers the world around
her.” I do think that teen – and adults – will enjoy these adventures and find
much to consider in the commentary on social class. Readers just need to be
patient as the novel unfolds, for “it is at the moment when the doors open,
when things flow between the worlds, that stories happen.”
THE RIVER by
Peter Heller is an engrossing adventure story that I read in a day. Two college friends, Jack and Wynn, are
enjoying the canoe trip (on the Maskwa River near Hudson
Bay) that they have spent so long planning when things begin to go wrong. First, there’s a major forest fire that seems
to be heading their way and then, there’s the two voices (a man’s and a woman’s)
they hear arguing in the heavy fog. This
story has plenty of action, mystery and struggle for survival, but what makes
it so special is Heller’s descriptions of the characters and of the natural
beauty around them. For example, he says, “berry picking was like throwing a Frisbee around,
or taking a walk up the orchard road, or jumping into the lake and then lying
on the sun-warmed stones. It was an
achievement-free zone which Wynn was coming to realize is where most of his joy
happened.”
Jack grew up with
his Dad on a ranch in Colorado whereas Wynn’s family lives in Vermont. Both young men are experienced wilderness
instructors who love to fish, camp and simply marvel at nature; they trust each
other implicitly. Yet, Jack has a more cynical, pragmatic side while “Wynn
would bet all his chips on goodness. … Like the fish who had no idea what water
was: Wynn swam in it. The universe
cradled him, it cradled all beings, … step back far enough and take the long
view and everything would take care of itself.” Despite the danger and
increasing tension, this trip allows them to reflect: “if one concentrated on
one thing and then another – the good things in each moment – the fear wrapped
deep in the gut seemed to unswell, like an iced bruise. Still there, but
quieter.” THE RIVER received
starred reviews from Kirkus and Library Journal and was chosen as
a March LibraryReads selection. Highly
recommended.