In his “No Algorithms in the World” Hugh Howey, for example, writes about
a world with guaranteed personal income and the tension between generations
over the definition of work. It is a
society where “data” collection and manipulation can have a stultifying effect:
“It’s like the time my wife and I found out we were having a kid because of new
food combos she was grabbing out of the pantry and fridge. Our house just up
and bought flowers one day to congratulate us.”
The subsequent selection, “Esperanto” by Jamie Ford, explores the concept
of beauty – whether machine generated or more natural with all of its imperfections.
These tales of human-machine interface (inter-dependence?) are eerily similar to societal changes that Kate Klonick reflects upon in “‘Creepy’ Assignment: Pay Attention to What Strangers Reveal in Public” in this week’s
New York Times. I wonder what other connections our students would make?
A PEOPLE'S FUTURE OF THE UNITED
STATES received starred reviews from both Booklist and Publishers
Weekly.
THE GOOD IMMIGRANT, edited by Nikesh Shukla and Chimene
Suleyman, is another collection of stories and essays wherein “26 Writers
Reflect on America.” The writing is as equally powerful as its striking cover.
This is a text which will make readers think.
In particular “How to Write Iranian-American, or The Last Essay” by
Porochista Khakpour conjures images and emotions: “It did not take me long to
discover that we were all absolutely and mercilessly united by our ambitions to
stay afloat on our parents’ dreams – the American Dream. We were, after all, the
good immigrants.”
This collection offers a wide choice of writing styles and
experiences related to immigration and since this title was featured recently on NPR, teachers have proactively been asking about it. Our Global Voices students will find this
collection especially compelling; they already read Teju Cole (Open City) who is one of
the better known contributors here. THE
GOOD IMMIGRANT follows a 2016 UK edition; this American version
received a starred review from Publishers Weekly.
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